* Learn how to create a new series;
* Learn and improve how to build a photographic documentary by covering a story or creating a series defined with Patrick Zachmann.
* Refine storytelling and story composition by analyzing real-situation problems, images analysis, editing and captions writing.
* Learn how to position one’s self in space in order to find the fair distance between the subject and the photographer, suggest a point of view.
* Develop one’s own personal photography as a permanent back and forth movement between the outside world and the photographer’s inner world.
Patrick Zachmann will dedicate time to analysis of images, content, shape and a lot of importance to editing.
This workshop in full immersion with Patrick Zachmann aims at developping the aptitude of the participant to carry out a photography assignment in an institutional context. This experience will allow the participant to develop his/her capacity to produce a photographic work in a given location and throughout a given limited time period.
French, b. 1955. Patrick Zachmann has been a freelance photographer since 1976 and with Magnum Photos since 1985. He has dedicated himself to long-term projects on the cultural identity, memory and immigration of different communities. From 1982 to 1984, he worked both on a project on highway landscapes, backed by the French Ministry of Culture, and on the challenges of integration facing young immigrants in the northern neighborhoods of Marseilles.
In 1982, he also plunged into the violent world of the Neapolitan police and mafia – the Camorra – resulting in the publication of a book and a fictional text inspired by his cinematographic images.
In 1987, after working for seven years on a personal project about Jewish identity, Zachmann published his second book, Enquête d’Identité ou Un Juif à la recherche de sa mémoire (Inquest on Identity or a Jew in search of his memory). In 1989 his story on the events at Beijing’s Tiananmen Square was widely published in the international press. That year, his entire body of work was awarded the prestigious Prix Niepce.
Patrick Zachmann joined Magnum Photos in 1985.
For the next six years, Patrick Zachmann continued his research on the Chinese diaspora around the world, resulting in the 1995 publication of the acclaimed book W., ou L’Œil d’un Long Nez, accompanied by an exhibition that toured in ten countries in Asia and Europe. Between 1996 and 1998, Zachmann directed the short film La Mémoire de Mon Père (My Father’s Memory), followed by his first feature-length film Allers-retour: Journal d’un Photographe (Round trip: diary of a photographer), about the disappearing traces of memory, in Chile in particular.
In 2006, he began a new project entitled Confusions Chinoises (Chinese Confusions), for which he received a grant from the French Fine Arts Delegation (DAP). He also gave classes at the National School for Decorative Arts in Paris and the Institute Superiore di Fotografia e di communication in Rome.
From 2006 to 2008 he directed a feature film called Bar Centre des Autocars, about the destinies of ten young people whom he had known and photographed twenty years earlier, from Marseille’s poorest neighborhoods. In May 2009, at the Cité d’Histoire de l’Immigration in Paris (Centre for the History of Immigration), Patrick Zachmann will present his entire body of work, spanning twenty five years, about immigration and the suburbs.
En 2009, il produced the multimedia piece Magnum In Motion called “One day, a night“, another for the 20 years anniversary of Tiananmen Square events, “Génération Tiananmen” and in 2010, “Un Somalien à Paris“.
In 2013, a “carte blanche” during the yearly event Marseille-Provence 2013 gives birth to a work called “Mare Mater” composed of a film, a book and an exhibition at Mucem Marseille (nov-jan 2013) and at the Museum Niepce in Châlons sur Saône (beginning of 2014).
In 2016, Patrick Zachmann is awarded the prestigious Prix Nadar for his book So Long China published with Xavier Barral.
“To attend a workshop with Patrick Zachmann allows – among other things – to extensively learn the meaning of the word ‘transmission’. His experience is vast and when he relates it, he pays great attention to making connections with the photographers and their training.
He never shows himself indulgent towards them but keeps a constant care for improving the weaknesses he identified in each of them. Patrick Zachman has been teaching for many years and knows how to identify flaws and correct them.
A workshop may be an intense moment of self questioning, often destabilizing, but Patrick Zachman’s humour always contributes to relax the atmosphere and make sure everyone is in the best state of mind to move forward.” Véronique Sutra, Founder & CEO, Eyes in Progress