The workshop can be divided into two segments: the introduction of a theoretical framework along with a series of practical exercises. Key aspects are the role of aesthetics and conventions, the influence of fiction on our perception of reality, the value of a self-reflexive mode, and how photobooks have shaped documentary practice.
Day 1:
Introduction to Max’s personal work and approach to documentary photography.
Introduction by all students of their own work in group with feedback and open discussion (portfolio viewing).
Day 2:
Morning / Lecture about various contemporary documentary strategies and the role of aesthetics and conventions
In-depth reflection on the medium based on diverse examples of work that define the boundaries and definitions of documentary practice today, such as the role of aesthetics and conventions, the influence of fictional aspects in documentary, the importance of sequencing and structuring, how photobooks have shaped the reading of documentary work, the power structures and ethics of image production and dissemination in the global media landscape today, and so on.
Open group discussion.
Afternoon / Assignment briefing
One image that has been manipulated (not digitally, but directly on location), or contains an intervention by the photographer in the scene.
One image that functions as a metaphor, or reveals an abstract concept.
One image that deals with the power relationship between subject and photographer.
One image free of choice, but of which the motives will be explained in a group discussion.
Work on assignment.
Day 3:
Morning / Lecture about how photobooks shape documentary practice
The importance of sequencing and structuring work in the form of a publication, different workflow possibilities for editing and sequencing work, design choices and collaborating with graphic designers, technical aspects of design and bookmaking (paper choices, printing techniques, binding, etc.), conceptual implications of various formal choices based on examples, and so on.
Open group discussion.
Afternoon
Work on assignment.
Day 4:
Morning / Lecture about self-publishing photobooks
Practical information on funding strategies and sponsoring, timing of publications in relation to festivals and the cultural agenda, how to deal with awards, grants and competitions, the importance of promotion and communication (emails, newsletters, social media, etc.) and the development of a personal artistic discourse.
Open group discussion.
Afternoon / Final image editing
Each participant will work (editing, post-processing) on one final image produced during the workshop. They are then to write a personal statement on the work and on themselves, which will be send to the photography expert of their choice for the review.
Group presentation of assignment work made by all students and finding the best hypothetical presentation form for their work (book/printed matter, exhibition/spatial, slideshow, performance, sculptural, etc.).
Teaching language: English.
Workshop hours: 9h30-17h30.
