In the last three decades, Haviv has covered more than twenty-five conflicts and worked in over one hundred countries. He has published three critically acclaimed collections of photography, and his work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Haviv’s photographs are in the collections at The Houston Museum of Fine Arts and George Eastman House amongst others as well as numerous private collections.
Haviv has produced an unflinching record of the injustices of war and his photography has had singular impact. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the international tribunal in The Hague. President H.W. George Bush cited Haviv’s chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention.
His film work has appeared on PBS’s Need to Know and Frontline as well as NBC Nightly News and ABC World News Tonight. He has directed short films for ESPN, People Magazine, Doctors Without Borders, Asia Society and American Photography. Haviv’s music videos have been on the MTV Europe and Sol Musica channels in Spain.
His first photography book, Blood and Honey: A Balkan War Journal, was called “One of the best non-fiction books of the year,” by The Los Angeles Times and “A chilling but vastly important record of a people’s suffering,” by Newsweek. His two other monographs are Afghanistan: The Road to Kabul and Haiti: 12 January 2010.
Haviv has helped create multi-platform projects for Doctors Without Borders’ DR Congo: The Forgotten War and Starved for Attention, Unicef’s Child Alert for Darfur and Sri Lanka and the International Committee of the Red Cross’s World at War.
His commercial clients include Ad Council, American Express, BAE, Canon USA, ESPN, IBM and Volkswagen. Haviv is the central character in six documentary films, including National Geographic Explorer’s Freelance in a World of Risk, in which he speaks about the dangers of combat photography, including his numerous detentions and close calls. He has provided expert analysis and commentary on ABC World News, BBC, CNN, NPR, MSNBC, NBC Nightly News, Good Morning America and The Charlie Rose Show.
Ron Haviv is a member of VII agency . www.ronhaviv.com .
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About the European Workshops Series in partnership with VII photos
In 2015, Ed Kashi, Ron Haviv, Marcus Bleasdale, Stefano De Luigi and John Stanmeyer, all members of the prestigious VII Agency will lead photography workshops in 4 different European capitals: Paris, Barcelona, Amsterdam and Berlin, as part of the Eyes in Progress’s workshops programme.
Learn and improve how to build a documentary reportage by covering an editorial story. To refine storytelling and story composition by analyzing real-situation problems, images analysis, editing and captions writing. Most of all, the Visual Storytelling Workshops will help you discover your own visual language as well as practical and conceptual know how to confront real situation reportage making. This workshop will also focus on how to gain a new perspective on one’s works and attitude.
This is a great opportunity for story-tellers to develop a specific story during these workshops as they will be located in different European cities i.e. as Paris, Barcelona, Amsterdam and Berlin. Europe is a rich place for finding ideas for research and documentary subjects.
Each 4-day workshop is stand-alone in the programme and each one will focus – for half a day – on a specific topic of visual storytelling, which will make it possible as well as worthwhile to attend more than one workshop. It would also serve as an interesting opportunity for a photographer willing to have close and regular follow-ups for a project which is already underway. The following topics will be covered: how to define a story-telling project (Ed Kashi), how to find support in order to make it happen (Ron Haviv), how to be prepared before going on site (Stefano De Luigi), editing and advocacy work (Marcus Bleasdale).
At Eyes in Progress, we work hard to help you make the most of your workshop. Prior to the workshop, we will work with you on the story you will shoot, we will help you find contacts with local associations as well as facilitating a list of editorial subjects. During the workshop, the organisation team is made up of three people: the supervisor, the technical coordinator and of course, the teacher. We do our best to take care of your specific needs and to make sure the work is done.