Ed Kashi is a photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times. A sensitive eye and an intimate relationship to his subjects are signatures of his work. As a member of VII Photo Agency, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition.

I take on issues that stir my passions about the state of humanity and our world, and I deeply believe in the power of still images to change people’s minds. I’m driven by this fact; that the work of photojournalists and documentary photographers can have a positive impact on the world. The access people give to their lives is precious as well as imperative for this important work to get done. Their openness brings with it a tremendous sense of responsibility to tell the truth but to also honor their stories.

Since 2000 he has pioneered the movement to multimedia and filmmaking in photojournalism, producing the innovative Iraqi Kurdistan Flipbook and award winning short films and multimedia projects on geopolitics and social issues. Kashi’s innovative approach to photography and filmmaking produced the Iraqi Kurdistan Flipbook in 2006, which has been shown in film festivals and museums around the world. An eight-year project completed in 2003, Aging in America: The Years Ahead, has created one of the most extensive visual archives on aging in the United States.

Along with numerous awards from World Press Photo and Pictures of the Year International, UNICEF’s Photo of the Year 2010, a Prix Pictet 2010 Commission and honors from Communication Arts and American Photography, Kashi’s images have been published and exhibited worldwide. He has made seven books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta and THREE. Kashi’s latest book Photojournalisms, is a compilation of journal writings to his wife, done over a nearly 20-year period, from various locations around the world. a nearly 20-year period, from various locations around the world.

Ed Kashi is intelligent, brave and compassionate. He always understands the nuances of his subjects. He fearlessly goes where few would venture. And he sympathetically captures the soul of each situation. Ed is one of the best of a new breed of photojournalistic artists. ” David Griffin, Visuals Editor, The Washington Post

Ed Kashi is a member of VII agency www.edkashi.com .

If you want to be kept informed about Ed Kashi, you can go on Facebook, LIKE  Eyes in Progress , his agency  VII  or  his own page  and add us on your list of interests.

© Ed Kashi/VII

Visual Storytelling in the Digital Age


Professional photographers, advanced amateurs, journalists.


Learn and improve how to build a documentary reportage by covering an editorial story defined with Ed Kashi. Refine storytelling and story composition by analyzing real- situation problems, images analysis, editing and captions writing. Most of all, the workshop with Ed Kashi will help you discover your own visual language as well as practical and conceptual know how to confront real situation reportage making.

This workshop will also focus on how to gain a new perspective on one’s works and attitude.


« [... ] Adults bring more neuroses, habits, and fears, along with their more developed talent and purpose. They are hampered, in a way, by their photographic baggage, their professional dreams, or their desire to emulate or outdo other people’s photographs. For these reasons my adult students are as much in need of guidance as the kids, but in certain ways they also present a greater opportunity for growth. [... ]  If I know an adult photo student wants to make photography their profession, then I’ll take a more critical approach to their images as well as their approach, behavior, even dress sometimes (especially with females), and I try to get them to express their intentions so they become clearer and stronger about why they want to do this. [... ]  The amateur who just wants to improve their photography requires a different approach. To me it’s important to help them grow while also preserving their love and joy for the craft. We all know people who are wonderful in some art form yet drop it because they lose the joy when they realize they’re “not good enough” to “make it” professionally. In fact, many very talented people just don’t have the stomach to handle the pressures, rejection, and bullshit involved with being a professional in something that is so personal and subjective. » Ed Kashi (from RESOLVE, collaborative online community )  

This will be a hands on workshop with shooting sessions, individual assignments, daily group discussion and editing sessions.

You’ll be expected to fully immerse yourself, take risks and push your boundaries in order to move forward into another level in your photography.

Day 1:

Masterclass – Projections
Ed Kashi will spend time talking about his own work and the different projects he has worked on. He will share his photographic references with the group and discuss the challenges of being a working photographer.

Portfolios reviews and projects definition
Each participant will receive and in-depth critique of their work which will also be used as a jumping board for workshop assignments. Participants are highly encouraged to come to the workshop with defined ideas on the subject they want to photograph during the workshop. However, a list of projects ideas with the corresponding contacts in Paris will be sent to the participants before the workshop begins, Eyes in Progress is able to help in establishing contacts with local associations and persons.

Days 2 & 3:

Masterclass – Projections
Each day begins with a masterclass session when Ed Kashi focus on one aspect of his work.

Portfolios reviews and projects definition

Shooting session
Each participant goes shoot his own project. Help with directions, contacts and translation in Paris will be provided by the workshop team if needed.

Back at the studio
Through the selection and discussion of the best images of the day, the participants will work towards developing their own photographic style and hopefully, see their overall approach improve.

Day 4:

Final portfolio editing
Each participant will work on a large edit of his images, then they are printed and laid down on a table (10×15 format). The final editing is made during a one-to-one session with Ed Kashi, the other participants are encouraged to attend the sessions of the others. Once the final edit is done, the participants may work on the post-process and are then allowed to make A4 and/or A3 prints (2 max.) of their best images. They are then to write a personal statement on the work, which will be send to the evaluation committee member of their choice.

Final projections

Teaching language: English.

Workshop hours: 9h30 to 18h30.

You can visit the web page of the 2013′s workshop with Ed Kashi: june 2013.